Showing posts with label collection. Show all posts
Showing posts with label collection. Show all posts

Monday, May 22, 2017

Summer Auction Preview at Arader Galleries


Summer Auction PREVIEW

Cheers to another Auction! Set your Calendar to June 3rd for the opportunity to bid on a grand selection of original natural history works, spectacular views, and rare maps. The auction begins at 1pm EST. at our 1016 Madison Avenue Gallery.

This preview includes highlights from the auction, as great pieces to consider and add you your personal collection! Scroll to see detailed images and information. 


Lot 10 ● CAROLINA PARROT, PLATE 26
John James Audubon, Elephant Folio 1st Edition Havell

Lot 195 ● AMERICA NOVA TABULA
Willem Blaeu (1571-1638)

Lot 78 ● AN URN GARLANDED WITH FLOWERS, PEACHES, GRAPES, HAZELNUTS AND VARIOUS INSECTS ON A STONE LEDGE
Herman Henstenburgh (1667-1726)

Lot 29 ● RAMPHASTOS CUVIERI  (CUVIER’S TOUCAN)
John Gould (1804 - 1881)

Lot 91 ● THE VILLAGE PLOSSO IN THE PROVINCE OF MADIUN, JAVA
Jacob Dirk Van Herwerden (1806-1879)

Lot 155 ● MOSKOW, NO. 12
Cornelius Le Bruyn (1652-1726)

Online and phone bidding options are always available for inquiries and to access a copy of the auction catalog please call 415-788-5115. You can also bid at Liveauctioneers.com and view lots presented.
Arader Galleries, San Francisco 432 Jackson St, San Francisco, Ca 94111

Wednesday, August 1, 2012

Interests Turned Collections

George Arents, Jr. was the grand-nephew of Major Lewis Ginter of Allen and Ginter tobacco manufacturing company, later acquired by the American Tobacco Company. With a Bachelors from Columbia University (and a  Masters degree at Syracuse University at the age of 57), Arents joined the family business and served as a member of the American Tobacco Company firm from 1896 to 1905. In 1922, he became a director and, from 1924 on, the treasurer of both the American Machine and Foundry and International Cigar Machinery, a subsidiary. For his contributions, Arents is considered one of the founders of the American Machine and Foundry. With his partner Rufus L. Patterson, Arents received a patent on a cigar-rolling machine in 1900 and eventually they produced two-thirds of the cigars manufactured in the United States.

In conversation with Sue Dickenson of Commonwealth Magazine, Arents recalled a talk given at the College of William and Mary in 1939 where he discussed some advice his great-uncle once gave him:

“On one of my many visits, Major Ginter gave me some advice which I have never forgotten; it has added greatly to my happiness and I think may be of value to many of you here – he said, ’When you are young, have many hobbies, but let your business or profession come first; as you grow older, you will have to abandon some of them, the more you have, the less you will miss those you have to give up.”

Image Courtesy of Wikicomons
In 1893 Arents purchased a pamphlet entitled “A Pinch of Snuff” for $2.25 while perusing an antique bookshop. This was the start of what would become a lifelong passion - as well as the largest and most important collection of tobacciana in the world. Perhaps the most noteworthy item in his tobacco collection is the vary rare 1507 volume of Cosmographiae Introductio by Martin Waldesmuller. As the first printed reference to tobacco, it cites an account of explorer Amerigo Vespucci having observed Native Americans chewing a certain green plant. Arents continued to collect books, images, and other paraphernalia that referenced tobacco. By 1952, five illustrated volumes were published on the collection: Tobacco, its History Illustrated by Books, Manuscripts, and Engravings in the Library of George Arents, Jr.




Rosa Macrocarpa
from Redoute's Les Roses
Arents’ other great contribution, The George Arents Collection of Books in Parts, contains over 1,200 items dating from the 18th to the 20th centuries and is one of the most important collections assembled on the subject. In the words of Sarah Augusta Dickson, the first curator of the George Arents Collection: “Books in parts may be defined as works by an author or authors which are published piecemeal over a period of time, each unit having its separate cover, usually paper or boards, and in many cases with the title-page and other preliminary matter for the volume or volumes at the end of the last part.” These items were acquired with a keen eye intent on collecting only the best copies of these publications with an emphasis on original condition and original wrapping. Several titles in bindings were added to the collection including Redouté's Les Roses and Audubon's Birds of America (the octavo edition of 1840-1844).

Californian Partridge
from Birds of America
John  James Audubon
George Arents, Jr.’s other interests included auto-racing, music, books, and sports. In 1904 he participated in his first and last international road race, the Vanderbilt Cup; unfortunately, Arents flipped his car during the race injuring himself and killing his mechanic. Always appreciative of fine music, Argents family donated a 21-bell carillon to St. Thomas Episcopal Church on Fifth Avenue. George Arents, Jr.’s social activities included the Century Association, The Racquet and Tennis Club, the Friends of Yale Library, the Huguenot and St. Nicholas Societies, the Grolier Club, and the American Society of the French Legion of Honor.

George Arents, Jr. died in December 1960 at the age of 85. The George Arents, Jr. Collection, now in New York Public Library on 5th Avenue, is in two Georgian-style, pine-paneled rooms.

Arader Galleries is proud to offer its services in helping you find your passion and collectables. Our skilled professionals are happy to help clients begin their own collections with artwork that stuns and only gets better with age. Sample works include the finest prints of Audubon, Redouté, maps, architecturals, Americana, furniture and globes, and rare books. Below are just a few examples of what we would be delighted to show you. Further offerings may be viewed at our website: http://aradersf.com/


Bayard Taylor Illustrated Library of Travel, Exploration and Adventure, Wonders of the Yellowstone

Scribner, Armstrong & Co: New York, 1875. 

Homann Heirs
Planiglobii Terrestris Mappemonde
Nuremberg: 1746
Hand-colored copperplate engraving


Andreas Cellarius (1656-1702)
Typus Selenographicus Lunaephases et Sectus Varios ad Umbrans
From Atlas Coelestis seu Harmonia Macrocosmica
Amsterdam: Schenk and Valk, 1708
Hand-colored copperplate engraving


Please contact Arader Galleries for further information. 

Tuesday, November 15, 2011

An interview with Graham Arader

Photograph by Ben Hoffmann

ForbesLife Magazine conducted an insightful interview with Graham Arader about his 40-plus years of experience in the map and rare book world. Beginning with a tour of the Rare Books Vault located in the New York Gallery, Mr. Arader presents an inside view into his world of collecting and dealing rare maps, books and prints and discusses those in his profession who have taken their love for rare maps too far.

"Maps combine art, power, psychology, history, commerce, and fantasy" states Mr. Arader from his gallery at 29th East 72nd Street in New York City. Mr. Arader began his business while in college at Yale. He was captain of the squash team and all–Ivy League for three years--but his life changed when he met Alexander Orr Vietor, the curator of Yale's map collection. "I am the only guy in history who used Yale as a trade school," Arader says. "Mr. Vietor let me use his personal reference library and taught me the standards of collecting. I sold $100,000 in maps my senior year in college.”

With an extensive collection of maps, globes, natural history and botanical prints and great love of history, Mr. Arader has amassed an inventory of over $600 million, spread throughout his five galleries nation-wide. He has also seen first hand the underside of the dealing world and has worked with the FBI and government agencies to capture and convict map and rare book thieves.

With no plans of stopping anytime soon, Mr. Arader continues to collect, deal and make charitable contributions to schools and organizations, hoping to entice and educate the public about these rare and fascinating pieces of history. As he dutifully states, “They tell history in a way you can't get in any other art form.”

To read the full interview, please visit: ForbesLife Magazine