Holiday Feature; John Cassin

It's That Time of Year!

During the Holiday Season we are featuring the works of John Cassin (18130-1869)

and his acclaimed engravings from The Birds of California (c. 1865)

The Black Breasted Woodpecker

These wonderfully detailed hand-colored works make the perfect gift for family and friends. Why not gift a enriching historical engraving, that displays the merging of science and art in the 19th century.

Known as the Audubon of the West, John Cassin was a Pennsylvania Quaker who served as the curator for the Philadelphia Academy of Natural Sciences.  He was also a gifted taxonomist who succeeded in illustrating and describing 198 birds that were not included in either publication of his great predecessors Audubon or Wilson. Cassin’s great achievement was his completion of only one volume of Illustrations of The Birds of California, Texas, Oregon, British and Russian America (1853-56). After his death Brown University purchased his collection of over 4,300 birds for the universities museum of natural history.

A Selection of pieces available:

The Northern Chickadee

The Black Brant

The Red Breasted Teal 

The Northern Sea Eagle 

We have framed and unframed pieces available, Special framing prices may apply to matted pieces purchased. 

For  Purchasing Inquiries; Please call 415-788-5115, or visit us at Arader Galleries 432 Jackson Street, San Francisco, Ca 94111.

Edward Lear- artist, illustrator, author, poet

Edward Lear (12 May 1812 – 29 January 1888) was born in Halloway, England to a middle class family. As the second-to-last of twenty-one children, he was raised by his oldest sister, Ann, due to poor family finances. Lear also suffered from epilepsy and asthma from an early age - illnesses that would plague him his entire life. Lear became a paid artist at the age of 16 when he took a job with the Zoological Society as a “ornithological draughtsman.” He continued his work drawing the private menagerie of the Earl of Derby. His publication, Illustrations of the Family of Psittacidea, or Parrots, came about in 1830, when the artist was 18. His work was favorably received and compared to contemporary artists such as John James Audubon. At the age of 25, failing eyesight caused Lear to give up his detailed ornithological work. He moved to Rome in 1837 in an attempt to bolster his poor health.

For the next 50 years, Lear would travel all over the world exploring; supporting himself through his drawings, watercolors, and writings. His travels included forays in Greece, Palestine, Egypt, India and Ceylon (modern-day Sri Lanka). While traveling he produced numerous colored wash drawings that he would later build up with watercolor and oil. To share his experiences, Lear kept detailed journals documenting his day–to-day experiences and sketched the local topography. He later annotated his journals, letters, and sketches often purposely misspelling words and adding nonsensical phrases for publication.

Courtesy of 

The Project Gutenberg eBook, A Book of Nonsense, by Edward Lear

Lear passed away at his Italian villa in 1887 from heart disease. Sadly, none of his friends were able to attend the funeral.


Great Britain marked the centennial of his death with a set of Royal Stamps in 1988 and an exhibition at the Royal Academy. To mark the bicentennial of his birth, a range of events have been planned throughout the world on May 18 – International Owl and Pussycat Day – including a Google Doodle depicting the titular Owl and the Pussycat.

Arader Galleries is please to present a rare first edition of Lear’s Illustrations of the Family of Psittacidea, or Parrots. This publication marked the transition from engraving to lithography in natural history works. This work contains 42 lithographs with original hand-painted color. A run of only 175 books were produced, of which only 100 survive today. The quality of this work established Lear’s reputation as one of the best natural history artists of his time.

   

Edward Lear (1812-1888)

Illustrations of the Family of Psittacidae, or Parrots

London: Edward Lear, 1830-1832

Hardcover

Book Condition: Near Fine

Folio (21 x 14 inches)

Letterpress title-page, dedication leaf, list of subscribers, list of plates,

42 fine hand-colored lithographic plates by and after Lear.

Fine modern half diced calf marbled boards antique,

Please contact Arader Galleries for further details.

A Special Distribution of John Gould's Hummingbirds

Eriocnemis Alinae

Spathura Solstitialis

Chrysobronchus Viridicaudus

Arader Galleries is pleased to announce a syndicated distribution of authentic hand colored lithographs from John Gould's most famous work: A Monograph of the Trochilidae - the Hummingbirds. These beloved images were published between 1849 and 1881. They were based on specimens in Gould's own magnificent collection and on his own travels. They are renowned for their use of mineral inks that duplicate the iridescence that makes these birds so special. This is the finest natural history coloring of all time. Nothing else before or since compares. These 418 beautiful, hand colored lithographs in superb condition will be distributed on Saturday, September 17th at our gallery in New York at 1016 Madison Avenue between 78th and 79th street. A price list is available on request.

A syndication is a wonderful opportunity to build or add to a collection at tremendously discounted prices. 83 shares consisting of five lithographs are available at $4,800, or $960 each. The order of selection will be determined in three rounds by a random lottery. Numbers 1 through 83 will be drawn and beginning with "1" each owner will select one piece. The order will be reversed in the second round, with each owner beginning with "83" selecting two pieces. The final round will also be in reverse order, and two more pieces will be selected. The process is fun, and owner is guaranteed to receive lithographs having a retail value of at least $25,000. A deposit of $1,000 will hold your place in the syndication, with the balance due ten days prior to the sale. You have the right to return your share for any reason until December 31, 2012.

Please contact Arader Galleries at 415.788.5115 for additional questions and to purchase a share.

India :: Botanicals, Natural History, Maps and Views

A View at Lucknow
Henry Salt (1780-1827)
Twenty-four views in St. Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia, and Egypt
London: William Miller, 1809
Hand-colored aquatint engraving by Robert and Daniel Havell

Arader Galleries is pleased to present a special catalog of antique engravings, lithographs and original watercolors focusing on our fine selection of works relating to India. It is impossible not to be astonished by India. Its rich culture and history, especially its role in early trade routes, and its present-day status as one of the world’s largest economies has no doubt inspired the modern collector. Europeans fervently documented this vast region, and the works in the following pages offer a glimpse into the great influence of the Indian culture over Western societies, from the early sixteenth century to well into the nineteenth century.

From 16th century maps, to 19th century sporting scenes, Arader Galleries has a wide range of material highlighting India, including its exotic flora and fauna, and majestic views and architecture. Please contact Arader Galleries at 415-788-5115 if you have an interest in receiving our India catalog.

Calling All Audubon Aficionados

Hooping Crane by John James Audubon

For those of you already familiar with Arader Galleries, John James Audubon needs no introduction. But for those not entirely acquainted with the greatest bird illustrator of all time, the current issue of Art and Antiques Magazine features on article on the notorious artist titled: Call of the Wild: Documenting America’s Birds was the Lifetime Obsession of John James Audubon.

The article begins by tracing Audubon’s extraordinary trials and tribulations. Beginning with his financial struggles and his inability to secure a publisher for The Birds of America, the article underscores Audubon’s commitment of staying true to his goal. Indeed, Audubon persevered, finding a different reception abroad. Eventually, the English engravers Robert Havell Sr. and Robert Havell Jr. agreed to publish the drawings, and The Birds of America was released to subscribers from 1827 to 1838. Ultimately, The Birds of America comprised of 435 color plates, published in the massive double elephant folio format. Yet the article mainly aims to present Audubon aficionados to an exhibit and book that reveal new research regarding what motivated this extraordinary individual.

The article highlights New York Historical Society’s exhibit, Some Things Old, Some Things Borrowed, But Most Things New, which traces Audubon’s ingenuity with respect to his predecessors and contemporaries. The book, Audubon: Early Drawings (published in September of 2008 by Harvard University Press) features Audubon’s work until 1821, illustrating how Audubon’s skill developed overtime. Lastly, but certainly not least, the article quotes W. Graham Arader III himself on what makes Audubon’s birds so iconic.

The article nicely traces the production history of The Birds of America and introduces new developments about what inspired this infamous artist. For anyone who appreciates the majesty of Audubon’s Birds of America we invite you to stop by Arader Galleries to view our exceptional collection of Audubon’s hand-colored aquatint engravings from Birds of America. Also, should you find yourself in New York City from February 13 to April 5 we strongly encourage you to catch the Audubon exhibit at the New York Historical Society.

We also have an excellent selection of Audubon's hand-colored engravings available for purchase at Arader Galleries. Please visit www.aradersf.com or call 415-788-5115 for more information.

John Gould’s The Birds of Australia: A Copy Once Owned by the Governor of Tasmania, Captain John Franklin

John Gould (1804-1881)
The Birds of Australia (and Supplement)
Eight bound volumes including supplement
Folio size: 21 3/8” x 14 3/8”
Printed by Richard and John E. Taylor
Published by the Author, 1840-1848; 1851-1869
681 hand-colored lithograph plates

John Gould’s monumental Birds of Australia magnificently displays the author’s scientific skill and attention to detail and provides a more complete study than his Synopsis of the Birds of Australia and The Birds of Australia, and the Adjacent Islands. At its time of publication the birds of this region were essentially unknown to a European audience and as Gould himself admitted in the preface to the book, “the field was comparatively a new one”.

In September 1838, the author and his wife, Elizabeth, arrived in Australia and spent the following 18 months exploring Tasmania and the adjacent islands, South Australia, and new South Wales. Upon the discovery that she was pregnant, Elizabeth Gould resolved to remain in Tasmania while her husband set about discovering the birds of Australia’s interior. She was to stay with the Governor of Van Diemen’s land (Tasmania), John Franklin, during this time and became fast friends with the Governor’s wife. Thus, it was that Captain Franklin became a subscriber to the Birds of Australia. An autographed letter, dated April 1877 and written by Henry Elliot, sheds additional light on the provenance of the present edition. He writes: “This copy of Gould’s Birds of Australia belonged to Sir John Franklin to whom I was aide de camp, and in whose house, while Governor of Tasmania, Gould lived many months while making his Collection. I had myself made a collection of the Birds of Tasmania, and gave many of the specimens to Gould. After the death of Sir J. Franklin’s widow in 1876 this copy of the work was given to me by his niece . . .” The letter is inserted into the first volume of the book and indeed, Gould acknowledges the assistance of both Elliot and Franklin in his preface.

The Birds of Australia is John Gould’s largest and most important work. Because he himself spent so much time in the field making his own observations, the text that accompanies the illustrations is by far the most accurate and detailed of all his works. Moreover, it is such a complete study that very few additions have ever been made to the study of Australian ornithology.

We are pleased to announce that this landmark work in ornithology is currently at the San Francisco location and available for viewing upon request. Please call Arader Galleries at 415.788.5115 for price inquiries and to request the catalog.

John Gould Artist Proofs

John Gould (1804-1881)
Artist proofs for The Birds of Europe
"Spoonbill" (top image)
"Marsh Sandpiper" (center image)
“Wood Sandpiper, Green Sandpiper” (bottom image)
London: 1832-37
Lithographs with hand-written notations

John Gould was without question the most prolific natural history artist of the 19th century, and the only one to rival John James Audubon in ambition and quality. The 19th century was a time of intense fascination with discoveries in natural history, especially regarding knowledge of the wildlife of exotic lands. Gould shared the romantic enthusiasm of his time for such subjects, as well as the popular impulse to catalogue exotic wildlife. He combined his passion for natural history with outstanding scientific, artistic, and entrepreneurial talents. Drawing on these abilities, he embarked on a series of projects that would eventually make him the leading publisher of ornithological illustrations in Victorian Britain. Gould’s unparalleled career spanned five decades, and he produced a monumental series of books of birds throughout the world.

From the time he took up taxidermy in his early teens, Gould was devoted to recording bird life, either as he observed it personally or as it was reported to him by other ornithologists. He procured the scientific information through extensive correspondence, travel, and field research. The preparatory drawings that he produced were passed on for completion to skilled illustrators, most notably his wife, Elizabeth, and Edward Lear. The plates which resulted from such partnerships were a splendid fusion of art and science, with a scope than remains unsurpassed. Stunning and at the same time highly accurate, Gould’s illustrations linked beauty to science, and science to beauty, in and an unprecedented manner.

One of the most accomplished and engaging natural history works of the 19th century, The Birds of Europe was also the first of Gould’s works to feature plates by Edward Lear. A total of sixty-eight images bear Lear’s name, and they are among the most remarkable bird drawings ever made. Lear endowed his illustrations with some measure of his own whimsy and intelligence, and his style is at once fluidly spontaneous and realistically precise. In this way, the images of The Birds of Europe are amazingly distinctive, while also highly realistic.

Gould undertook this work partly in an effort to redress the imbalance between the study of local and foreign ornithology. In his preface he stated his mission: “the Birds of Europe, in which we are, or ought to be, most
interested, have not received that degree of attention which they naturally demand. The present work has been undertaken to supply that deficiency.” Gould portrayed birds native to Europe in a manner that had only been thought appropriate for the colorful species of distant places. In this way he managed to draw much popular interest back to native birds, which were suddenly considered equally beautiful to exotic species. These proofs, which have notations by the Goulds, were part of the the final preparation stages for this publication.

These artist proofs (show above and at www.aradersf.com) are currently available for purchase at Arader Galleries. For more information, please call 415.788.5115.

A Syndication of Gould's Birds of Asia

We are pleased to announce a syndication of John Gould’s spectacular Birds of Asia. This set of hand-colored lithographs contains some of the most exquisite depictions of birds ever executed by an ornithologist. John Gould strove to record as many known species of the birds of Asia as possible, which resulted in 530 images of beautiful, exotic birds. The Birds of Asia is considered Gould’s greatest accomplishment, an undertaking that resulted in over 30 years being produced.

John Gould (1804-1881) was without question the most prolific and successful ornithological artist of the 19th century, and the only one to rival John James Audubon in ambition and quality. The 19th century was a time of intense fascination with discoveries in natural history, especially regarding knowledge of the wildlife of exotic lands. Gould shared the romantic enthusiasm of his time for such subjects, as well as the popular impulse to catalogue exotic wildlife. He combined his passion for natural history with outstanding scientific, artistic, and entrepreneurial talents. Drawing on these abilities, he embarked on a series of projects that would eventually make him the leading publisher of ornithological illustrations in Victorian Britain. Gould’s unparalleled career spanned five decades, during which he produced a monumental series of books of birds found throughout the world.

Considered one of Gould’s greatest achievements, the Birds of Asia was in production longer than any of his other works, taking 34 years for the appearance of its 35 parts. The ornithologist was fascinated by the diversity of the exotic, colorful species of Asia, and he conveyed his enchantment to viewers, creating one of his most monumental and magnificent sets. The subjects of the plates are among the most varied of Gould’s folios: trogons, kingfishers, sunbirds, woodpeckers, partridges, parrots, parakeets, pheasants, and many other genera are beautifully drawn, printed and colored. Gould placed many of the vibrant, showy and elegant birds in their appropriate settings.

530 hand-colored lithographs, each measuring 21 ½" x 14 ½", will be distributed by way of syndication on Saturday, November 10, 2007, at 1:00 pm in New York City at our 1016 Madison Avenue gallery. For more information, please contact Arader Galleries at 415.788.5115.