Monday, May 22, 2017
Summer Auction Preview at Arader Galleries
Sunday, August 7, 2016
Menlo Charity Horse Show
Thursday, May 12, 2016
Summer Auction is Coming! June 11th
Thursday, May 16, 2013
Results of the Arader Audubon Auction, 5/11/2013
Lipscomb's inspirational lecture was followed by a sumptuous dinner generously hosted by Mr. Arader at the famous Nickerbocker Club on 62nd Street, at which he honoured Professor Lipscomb for his pioneering efforts which bring the art of natural history into the classrooms of America: a cause very close to Mr. Arader's own heart, who has just donated an extraordinarily fine and comprehensive collection of works of art that reflect the history of the discovery of the natural world, and how that knowledge was brought from the new to the old world, to the University of South Carolina students studying subjects from art history to environmental science, a donation valued at $30,000,000.
Saturday's auction of hand colored aquatints from John James Audubon's magnificent double-elephant folio "The Birds of America", the single most important work on North American ornithology; hand-colored lithographs from his Imperial folio "The Viviparous Quadrupeds", the first great all-American color-plate book; and exquisitely beautiful original watercolors on vellum from Pierre-Joseph Redoute's magnum opus "Les Liliacees", conducted by Guernsey’s at Arader Galleries at 72nd Street, in New York, this last Saturday, was a triumph, for Arader Galleries and for the universities that Mr. Arader supports through his philanthropic educational programs , as 20% of the hammer price of each lot sold will be donated to one of these programs, or a charity of the purchaser's choice.
More than one third of the plates from the original publications of "Birds of America" and "The Viviparous Quadrupeds" went under the hammer and were more than 85% sold by lot. Not surprisingly some exceptionally high prices were achieved for some iconic images: $100,000 for plate number, and lot number, one "The Male Turkey"; $110,000 for the "Snowy Owl"; and $90,000 for the Long-Billed Curlew. The normally tranquil Arader Gallery at 72nd Street, was buzzing with more than 125 potential private and institutional bidders jostling for standing room only, as many of the other 230 lots sold for well over their high estimates. Arader Galleries retains a comprehensive gallery of works of art by both Audubon and Redoute, and we welcome all visitors at our galleries in New York, Philadelphia, Houston and San Francisco, or to our website www.aradernyc.com.

At this point cash gifts to Arader Galleries' Client's charities appear to be headed well over $400,000 as a result of giving programs established by this auction. The idea of all auctions generating a minimum of a 10% of hammer donation to the buyer's charity makes sense and is clearly being embraced by collectors. The art museums, libraries and 3600 four year colleges in the United States that create interest in fine art and the decorative arts should be rewarded for creating and maintaining the interest in collecting that is such a major fabric in American life today.
Friday, October 26, 2012
Exciting Opportunity for Collectors - December 5
You can download a complete catalog of all featured lots and estimates for this auction here:
Wednesday, August 1, 2012
Interests Turned Collections
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| Image Courtesy of Wikicomons |
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| Rosa Macrocarpa from Redoute's Les Roses |
| Californian Partridge from Birds of America John James Audubon |
Monday, May 16, 2011
Arader Galleries Charity Auction
It is a great pleasure to announce Arader Galleries third annual charity auction in
The auction will be held on June 25th and 26th, 2011 and will include over 65 of John James Audubon’s iconic aquatints from the Elephant folio Birds of America, published in London by Robert Havell between 1826 and 1838. The aquatints of birds by John James Audubon are true masterpieces of natural history art from the last 500 years and the iconic images are brilliant in their flawless artistic composition, the way they depict the life and movement of the bird, as well as providing scientifically accurate Linnaean detail.
Other highlights of the auction are the first imperial folio edition of Audubon's famous work The Viviparous Quadrupeds of North America, complete in three volumes and with 150 fine hand-colored lithographed plates, and works from other 19th-century natural history artists including John Gould, Daniel G. Elliot and John Robert Thornton. A selection of fine maps and other color plate books from our collection will also be included.
We have chosen Neal Auction House to hold this auction because they have always been honest, helpful and accurate in their transactions with us over the last 15 years. We assure you that all purchases made by you at the sale will be delivered to you promptly, professionally, and at the lowest possible price. Also as a bonus please note that most of these pieces have been framed in elegant gold leaf moldings to full museum specifications.Thursday, November 5, 2009
The San Francisco Fall Antiques Show
The Arader Galleries team, from left: Tim Hamilton, Stephanie Waskins and Nicole LopezBelow: Photographs of the Arader Galleries booth:


Andreas Cellarius celestials from the Arader Galleries collection on display in installation by Sutro ArchitectsThe oldest continuously run antique show on the west Coast, The San Francisco Fall Antique Show, was held in the Marina at the Fort Mason Center October 29-November 1st. Arader Galleries San Francisco was pleased to participate in the show and was honored to be able to exhibit amongst the world’s premier antique dealers. Along with about 70 exhibitors, Arader Galleries debuted its impressive collection of maps, natural history and botanical engravings and lithographs from the 16th – 19th centuries, iconic images of California, the Pacific Islands and Asia as well as beautiful antique furniture, globes and more. On exhibition from Arader Galleries were some of the world’s most well renowned naturalists, cartographers and artist’s works, including John James Audubon, Dr. John Robert Thornton, Maria Sibylla Merian, Andreas Cellarius and Alexis-Hubert Jalliot.
The San Francisco Fall Antiques Show is the major fundraising event for Enterprise for High School Students, a non-profit job referral and career development agency in San Francisco. The theme of the show this year was Egyptomania: Imitation as Timeless Flattery and the lecture series for the show focused on cultural and historical artifacts and their relation to the ancient Egypt, as well as present day fascination with the culture and preservation of Egyptian life. In keeping with this theme, Arader Galleries displayed its own collection of Egyptian maps by Abraham Ortelius as well as mezzotints, engravings and lithographs of Egyptian landscape views, architecture, iconic imagery, animals and more. Arader Gallery was proud to be apart of the San Francisco Fall Antique Show and thankful for the opportunity to share and exhibit our vast collection of antiques.
Monday, October 12, 2009
Audubon’s Illustration of the Endangered California Condor
John James Audubon (1785-1851)Plate 426 - California Vulture (California Condor) from The Birds of America
John James Audubon is without rival as the most celebrated American Natural History artist. Audubon devoted his life to realizing his dream of identifying and depicting the birds of North America, and his work has had profound cultural and historical significance. In the second decade of the 19th century, he set out to travel throughout the wilderness of the United States, drawing every notable species of native bird. His remarkable ambition and artistic talent culminated in the publication of the monumental Birds of America betweem 1827 and 1838, a series of 435 aquatints that have only grown in fame since the time of their first appearance. This work established Audubon as an early American artist who could attract European attention, and for many, he personified New World culture and its emerging independent existence.
This enormous bird, now endangered, was widespread in Audubon’s time, although he never actually visited the Pacific slope where it was found. His friend, Dr. Townsend, sent him the following account, “The Californian Vulture...is most plentiful in spring at which season it feeds upon the dead salmon that are thrown upon the shore [of the Columbia River] in great numbers...The Californian vulture cannot, however, be called a plentiful species as even in the situations mentioned it is rare to see more than two or three at a time and these so shy as not to allow an approach to within a hundred yards unless by stratagem.”
One of the world’s rarest and most imperiled birds, the California Condor was rescued from the brink of extinction by captive breeding and release. The California Condor was once found throughout the Southwestern U.S. into Mexico (as well as pockets in New York and Florida), by the early 1900s they were largely confined to the rugged mountains and foothills of Central and Southern California, where they remained until 1987. In that year, the last free-flying wild bird was captured and integrated into an existing captive breeding program. (source: The Audubon Society)
From 1987 to 1992, no California Condors flew free in the California skies. In 1992 captive-bred condors were released into the wild at Hopper Mountain National Wildlife Refuge north of Ventura, California, with additional captive-reared birds added to the flock each year thereafter. Today, the condor remains imperiled, with just 279 condors living, including 70 wild birds in California.
Audubon's hand-colored aquantint of the California Vulture/Condor is currently on display at Arader Galleries San Francisco location at 435 Jackson Street, and is available for purchase. For more information, please call 415.788.5115.
Wednesday, June 17, 2009
Arader Galleries at Audubon Richardson Bay Center and Sanctuary
Arader Galleries would like to thank would like to thank the
If you would like to inquire about any of the artwork on display, please call contact Arader Galleries at 415.788.5115.
For more information about the
Friday, June 5, 2009
Special Audubon Exhibition at the Lyford House: June 13th & 14th
The Richardson Bay Audubon Center & Sanctuary and Arader Galleries welcome you to attend a special exhibition of works by John James Audubon at the Lyford House in Tiburon. Arader Galleries’ spectacular collection of original engravings from John James Audubon’s Birds of America (1827-1838) will be on display in this historic landmark on the edge of San Francisco Bay.
This special collection will be on view Saturday, June 13th and Sunday, June 14th from 11 a.m. – 3 p.m.
Arader Galleries will donate 20% of all proceeds directly to The Richardson Bay Audubon Center & Sanctuary.
Please visit www.aradersf.com or call 415-788-5115 for more information. We hope to see you there!
Saturday, February 7, 2009
Calling All Audubon Aficionados
The article begins by tracing Audubon’s extraordinary trials and tribulations. Beginning with his financial struggles and his inability to secure a publisher for The Birds of America, the article underscores Audubon’s commitment of staying true to his goal. Indeed, Audubon persevered, finding a different reception abroad. Eventually, the English engravers Robert Havell Sr. and Robert Havell Jr. agreed to publish the drawings, and The Birds of America was released to subscribers from 1827 to 1838. Ultimately, The Birds of America comprised of 435 color plates, published in the massive double elephant folio format. Yet the article mainly aims to present Audubon aficionados to an exhibit and book that reveal new research regarding what motivated this extraordinary individual.
The article highlights New York Historical Society’s exhibit, Some Things Old, Some Things Borrowed, But Most Things New, which traces Audubon’s ingenuity with respect to his predecessors and contemporaries. The book, Audubon: Early Drawings (published in September of 2008 by Harvard University Press) features Audubon’s work until 1821, illustrating how Audubon’s skill developed overtime. Lastly, but certainly not least, the article quotes W. Graham Arader III himself on what makes Audubon’s birds so iconic.
The article nicely traces the production history of The Birds of America and introduces new developments about what inspired this infamous artist. For anyone who appreciates the majesty of Audubon’s Birds of America we invite you to stop by Arader Galleries to view our exceptional collection of Audubon’s hand-colored aquatint engravings from Birds of America. Also, should you find yourself in New York City from February 13 to April 5 we strongly encourage you to catch the Audubon exhibit at the New York Historical Society.
We also have an excellent selection of Audubon's hand-colored engravings available for purchase at Arader Galleries. Please visit www.aradersf.com or call 415-788-5115 for more information.
Wednesday, October 8, 2008
John Gould Artist Proofs


John Gould (1804-1881)
Artist proofs for The Birds of Europe
"Spoonbill" (top image)
"Marsh Sandpiper" (center image)
“Wood Sandpiper, Green Sandpiper” (bottom image)
London: 1832-37
Lithographs with hand-written notations
From the time he took up taxidermy in his early teens, Gould was devoted to recording bird life, either as he observed it personally or as it was reported to him by other ornithologists. He procured the scientific information through extensive correspondence, travel, and field research. The preparatory drawings that he produced were passed on for completion to skilled illustrators, most notably his wife, Elizabeth, and Edward Lear. The plates which resulted from such partnerships were a splendid fusion of art and science, with a scope than remains unsurpassed. Stunning and at the same time highly accurate, Gould’s illustrations linked beauty to science, and science to beauty, in and an unprecedented manner.
One of the most accomplished and engaging natural history works of the 19th century, The Birds of Europe was also the first of Gould’s works to feature plates by Edward Lear. A total of sixty-eight images bear Lear’s name, and they are among the most remarkable bird drawings ever made. Lear endowed his illustrations with some measure of his own whimsy and intelligence, and his style is at once fluidly spontaneous and realistically precise. In this way, the images of The Birds of Europe are amazingly distinctive, while also highly realistic.
Gould undertook this work partly in an effort to redress the imbalance between the study of local and foreign ornithology. In his preface he stated his mission: “the Birds of Europe, in which we are, or ought to be, most
interested, have not received that degree of attention which they naturally demand. The present work has been undertaken to supply that deficiency.” Gould portrayed birds native to Europe in a manner that had only been thought appropriate for the colorful species of distant places. In this way he managed to draw much popular interest back to native birds, which were suddenly considered equally beautiful to exotic species. These proofs, which have notations by the Goulds, were part of the the final preparation stages for this publication.
These artist proofs (show above and at www.aradersf.com) are currently available for purchase at Arader Galleries. For more information, please call 415.788.5115.
Tuesday, July 24, 2007
John James Audubon: Drawn from Nature on KQED Wednesday night
A profile of a man who is synonymous with the American wilderness and conservation movement. Audubon was self-taught and self-made, the illegitimate son of a French sea captain and Haitian servant girl. From the Caribbean and the French countryside, he eventually settled in the American south at age 19 and, after failed business efforts and bankruptcy, pursued his true passion - finding, shooting and drawing birds, and ultimately realizing his dream of publishing "The Birds of America," the monumental collection of 435 life-size prints.
KQED Channel 9
Wed, Jul 25, 2007 -- 10:00 pm
For more information and other show times visit http://www.kqed.org/programs/tv/program-landing.jsp?progID=136













