Showing posts with label Audubon. Show all posts
Showing posts with label Audubon. Show all posts

Monday, May 22, 2017

Summer Auction Preview at Arader Galleries


Summer Auction PREVIEW

Cheers to another Auction! Set your Calendar to June 3rd for the opportunity to bid on a grand selection of original natural history works, spectacular views, and rare maps. The auction begins at 1pm EST. at our 1016 Madison Avenue Gallery.

This preview includes highlights from the auction, as great pieces to consider and add you your personal collection! Scroll to see detailed images and information. 


Lot 10 ● CAROLINA PARROT, PLATE 26
John James Audubon, Elephant Folio 1st Edition Havell

Lot 195 ● AMERICA NOVA TABULA
Willem Blaeu (1571-1638)

Lot 78 ● AN URN GARLANDED WITH FLOWERS, PEACHES, GRAPES, HAZELNUTS AND VARIOUS INSECTS ON A STONE LEDGE
Herman Henstenburgh (1667-1726)

Lot 29 ● RAMPHASTOS CUVIERI  (CUVIER’S TOUCAN)
John Gould (1804 - 1881)

Lot 91 ● THE VILLAGE PLOSSO IN THE PROVINCE OF MADIUN, JAVA
Jacob Dirk Van Herwerden (1806-1879)

Lot 155 ● MOSKOW, NO. 12
Cornelius Le Bruyn (1652-1726)

Online and phone bidding options are always available for inquiries and to access a copy of the auction catalog please call 415-788-5115. You can also bid at Liveauctioneers.com and view lots presented.
Arader Galleries, San Francisco 432 Jackson St, San Francisco, Ca 94111

Sunday, August 7, 2016

Menlo Charity Horse Show


Equestrian enthusiasts, and riders alike we are happy to announce that we will be at the splendid Menlo Charity Horse Show!
"Menlo boasts one of the most elegant shopping experiences ever found at an equestrian event."
Stop by our table to purchase a selection of rare engravings from Audubon's Birds and Redoute botanicals to Gold Rush Maps.

Join us from Tuesday August 9th- Sunday14th for a wonderful equestrian and shopping experience.
Get a sneak peak of what you can expect at the show here

Thursday, May 12, 2016

Summer Auction is Coming! June 11th

Summer is coming and so is out next Auction!

As usual our Auction will be hosted at 1 pm EST  on June 11th at Arader Galleries 1016 Madison Avenue New York City, NY 10075.  Rest assured, if you are unable to bid onsite we are happy to provide several bidding options at your convenience. 

Below is a SPECIAL PREVIEW of our upcoming auction, showing highlights from our finest lots. You can now browse our lots online.

 If you would like to receive a hard copy of our catalog in the mail, PLEASE call us at (415) 788-5115, we are happy to send you auction catalogs at no cost. 

Enjoy!
June 90th Auction Preview
Lot 18: John James Audubon, Purple Heron or Reddish Egret, Plate 256
Original Aquatint Engraving
Lot 85: Shepherdess of Salem (American School)
Mixed Media Incl. Watercolor, Pen and Ink on Paper
c.1840
Lot 141: Antonio Floriano Untitled World Map 
Engraved Map 
Venice:1555
Lot 184: Albert Bierstadt Storm in the Rocky Mountains, MT. Rosalie
London: 1869
Lot 202: Thomas McLean The Trellis Window, Tretham Hall Gardens
London:1857
If you are interested in any Lots and wish to bid Please contact Arader Galleries at (415) 788-5115, 432 Jackson Street, San Francisco, Ca 94111. 

Thursday, May 16, 2013

Results of the Arader Audubon Auction, 5/11/2013

Barney Lipscomb, the Leonhardt Chair of Texas Botany at the BRIT (Botanical Research Institute Texas), renowned for his award-winning and unusual approach to bringing the science of botanical taxomony to the non-scientist 'performed' his lecture Art and Science: A Botanist's Eye: Redouté and the Art of Floral Illustration, to a full and enthusiastic house at Arader Galleries, at 29 E. 72nd Street, NYC on Friday evening. He presented a very lively look at the history and evolution of art and botanical science from the first century AD through the life of Pierre-Joseph Redouté, one of the greatest botanical illustrators and flower painters of all time, complete with slide-show and musical score, against the spectacular back drop of some of Redoute's original watercolours on vellum from his magnum opus "Les Liliacees", and John James Audubon's hand-coloured aquatints from his magnificent double-elephant folio "The Birds of America" (London, 1827-1838), all offered for public auction the following day.

Lipscomb's inspirational lecture was followed by a sumptuous dinner generously hosted by Mr. Arader at the famous Nickerbocker Club on 62nd Street, at which he honoured Professor Lipscomb for his pioneering efforts which bring the art of natural history into the classrooms of America: a cause very close to Mr. Arader's own heart, who has just donated an extraordinarily fine and comprehensive collection of works of art that reflect the history of the discovery of the natural world, and how that knowledge was brought from the new to the old world, to the University of South Carolina students studying subjects from art history to environmental science, a donation valued at $30,000,000.

Saturday's auction of hand colored aquatints from John James Audubon's magnificent double-elephant folio "The Birds of America", the single most important work on North American ornithology; hand-colored lithographs from his Imperial folio "The Viviparous Quadrupeds", the first great all-American color-plate book; and exquisitely beautiful original watercolors on vellum from Pierre-Joseph Redoute's magnum opus "Les Liliacees", conducted by Guernsey’s at Arader Galleries at 72nd Street, in New York, this last Saturday, was a triumph, for Arader Galleries and for the universities that Mr. Arader supports through his philanthropic educational programs , as 20% of the hammer price of each lot sold will be donated to one of these programs, or a charity of the purchaser's choice.

More than one third of the plates from the original publications of "Birds of America" and "The Viviparous Quadrupeds" went under the hammer and were more than 85% sold by lot. Not surprisingly some exceptionally high prices were achieved for some iconic images: $100,000 for plate number, and lot number, one "The Male Turkey"; $110,000 for the "Snowy Owl"; and $90,000 for the Long-Billed Curlew. The normally tranquil Arader Gallery at 72nd Street, was buzzing with more than 125 potential private and institutional bidders jostling for standing room only, as many of the other 230 lots sold for well over their high estimates. Arader Galleries retains a comprehensive gallery of works of art by both Audubon and Redoute, and we welcome all visitors at our galleries in New York, Philadelphia, Houston and San Francisco, or to our website www.aradernyc.com.

At this point cash gifts to Arader Galleries' Client's charities appear to be headed well over $400,000 as a result of giving programs established by this auction. The idea of all auctions generating a minimum of a 10% of hammer donation to the buyer's charity makes sense and is clearly being embraced by collectors. The art museums, libraries and 3600 four year colleges in the United States that create interest in fine art and the decorative arts should be rewarded for creating and maintaining the interest in collecting that is such a major fabric in American life today. 

Friday, October 26, 2012

Exciting Opportunity for Collectors - December 5


On December 5th, Guernsey's is honored to be conducting the sale of hundreds of treasures acquired over the last four decades by noted gallerist Graham Arader. Recognized internationally for his extraordinary collections, Mr. Arader is generously supporting several fine universities by turning auction proceeds into meaningful donations. Prospective buyers should note that the majority of auction lots will be sold either without minimum reserve or with reserves well below the amounts Mr. Arader purchased the items for over the years. Following a nearly week long preview (Nov. 30 - Dec. 4), the auction will be held live at Arader's beautiful Beaux Arts flagship gallery on New York City's Madison Avenue at 78th Street. Naturally, Guernsey's will be accommodating those unable to attend by making absentee bidding available via the Internet (liveauctioneers.com) and telephone. A massive, handsome auction catalogue (available from Guernsey's or Arader) thoroughly depicts and documents the extraordinary offerings.

Featured categories include eighty two of John James Audubon's stunning copper engravings of Birds and Quadrupeds. Many of the most sought after drawings, virtually all in uncut, pristine condition will be sold. Arguably the finest selection of historic maps and rare globes ever to come to auction will include the extremely rare hand-colored woodcut map of the Atlantic Ocean by Martin Waldseemüller, centerpiece of his groundbreaking 1513 atlas. The Natural History Section of the auction will contain sixty six lots of beautiful watercolors and color plate books including a magnificent collection of the books of John Gould, without question the most prolific ornithological artist of the 19th century. Fifty nine lots will be devoted to handsome watercolors and maps depicting early scenes of New York City. Auction lots include a 19th century landscape of Manhattan as seen from Hoboken, a wonderful Great Gatsby-era birds-eye view of Long Island's then-developing Gold Coast, and an extremely rare secret plan of the City created by a British officer on the eve of the Revolution. Additionally, there will be a fine offering of American and European paintings by such noted artists as Thomas Hill and George Henry Durrie.

Naturally, the items above represent only the smallest sampling from this extraordinary event. Interested collectors and those who appreciate amongst the rarest and most beautiful works ever created on paper are urged to contact Guernsey's for complete information.

You can download a complete catalog of all featured lots and estimates for this auction here: 

Wednesday, August 1, 2012

Interests Turned Collections

George Arents, Jr. was the grand-nephew of Major Lewis Ginter of Allen and Ginter tobacco manufacturing company, later acquired by the American Tobacco Company. With a Bachelors from Columbia University (and a  Masters degree at Syracuse University at the age of 57), Arents joined the family business and served as a member of the American Tobacco Company firm from 1896 to 1905. In 1922, he became a director and, from 1924 on, the treasurer of both the American Machine and Foundry and International Cigar Machinery, a subsidiary. For his contributions, Arents is considered one of the founders of the American Machine and Foundry. With his partner Rufus L. Patterson, Arents received a patent on a cigar-rolling machine in 1900 and eventually they produced two-thirds of the cigars manufactured in the United States.

In conversation with Sue Dickenson of Commonwealth Magazine, Arents recalled a talk given at the College of William and Mary in 1939 where he discussed some advice his great-uncle once gave him:

“On one of my many visits, Major Ginter gave me some advice which I have never forgotten; it has added greatly to my happiness and I think may be of value to many of you here – he said, ’When you are young, have many hobbies, but let your business or profession come first; as you grow older, you will have to abandon some of them, the more you have, the less you will miss those you have to give up.”

Image Courtesy of Wikicomons
In 1893 Arents purchased a pamphlet entitled “A Pinch of Snuff” for $2.25 while perusing an antique bookshop. This was the start of what would become a lifelong passion - as well as the largest and most important collection of tobacciana in the world. Perhaps the most noteworthy item in his tobacco collection is the vary rare 1507 volume of Cosmographiae Introductio by Martin Waldesmuller. As the first printed reference to tobacco, it cites an account of explorer Amerigo Vespucci having observed Native Americans chewing a certain green plant. Arents continued to collect books, images, and other paraphernalia that referenced tobacco. By 1952, five illustrated volumes were published on the collection: Tobacco, its History Illustrated by Books, Manuscripts, and Engravings in the Library of George Arents, Jr.




Rosa Macrocarpa
from Redoute's Les Roses
Arents’ other great contribution, The George Arents Collection of Books in Parts, contains over 1,200 items dating from the 18th to the 20th centuries and is one of the most important collections assembled on the subject. In the words of Sarah Augusta Dickson, the first curator of the George Arents Collection: “Books in parts may be defined as works by an author or authors which are published piecemeal over a period of time, each unit having its separate cover, usually paper or boards, and in many cases with the title-page and other preliminary matter for the volume or volumes at the end of the last part.” These items were acquired with a keen eye intent on collecting only the best copies of these publications with an emphasis on original condition and original wrapping. Several titles in bindings were added to the collection including Redouté's Les Roses and Audubon's Birds of America (the octavo edition of 1840-1844).

Californian Partridge
from Birds of America
John  James Audubon
George Arents, Jr.’s other interests included auto-racing, music, books, and sports. In 1904 he participated in his first and last international road race, the Vanderbilt Cup; unfortunately, Arents flipped his car during the race injuring himself and killing his mechanic. Always appreciative of fine music, Argents family donated a 21-bell carillon to St. Thomas Episcopal Church on Fifth Avenue. George Arents, Jr.’s social activities included the Century Association, The Racquet and Tennis Club, the Friends of Yale Library, the Huguenot and St. Nicholas Societies, the Grolier Club, and the American Society of the French Legion of Honor.

George Arents, Jr. died in December 1960 at the age of 85. The George Arents, Jr. Collection, now in New York Public Library on 5th Avenue, is in two Georgian-style, pine-paneled rooms.

Arader Galleries is proud to offer its services in helping you find your passion and collectables. Our skilled professionals are happy to help clients begin their own collections with artwork that stuns and only gets better with age. Sample works include the finest prints of Audubon, Redouté, maps, architecturals, Americana, furniture and globes, and rare books. Below are just a few examples of what we would be delighted to show you. Further offerings may be viewed at our website: http://aradersf.com/


Bayard Taylor Illustrated Library of Travel, Exploration and Adventure, Wonders of the Yellowstone

Scribner, Armstrong & Co: New York, 1875. 

Homann Heirs
Planiglobii Terrestris Mappemonde
Nuremberg: 1746
Hand-colored copperplate engraving


Andreas Cellarius (1656-1702)
Typus Selenographicus Lunaephases et Sectus Varios ad Umbrans
From Atlas Coelestis seu Harmonia Macrocosmica
Amsterdam: Schenk and Valk, 1708
Hand-colored copperplate engraving


Please contact Arader Galleries for further information. 

Monday, May 16, 2011

Arader Galleries Charity Auction

It is a great pleasure to announce Arader Galleries third annual charity auction in New Orleans where 20% of the hammer price goes to the institution of your choice. Over the last three years Arader Galleries has proudly raised over $2,000,000 for over 25 deserving schools, hospitals, settlement houses, libraries and academic institutions that are so important to our clients.

The auction will be held on June 25th and 26th, 2011 and will include over 65 of John James Audubon’s iconic aquatints from the Elephant folio Birds of America, published in London by Robert Havell between 1826 and 1838. The aquatints of birds by John James Audubon are true masterpieces of natural history art from the last 500 years and the iconic images are brilliant in their flawless artistic composition, the way they depict the life and movement of the bird, as well as providing scientifically accurate Linnaean detail.

Other highlights of the auction are the first imperial folio edition of Audubon's famous work The Viviparous Quadrupeds of North America, complete in three volumes and with 150 fine hand-colored lithographed plates, and works from other 19th-century natural history artists including John Gould, Daniel G. Elliot and John Robert Thornton. A selection of fine maps and other color plate books from our collection will also be included.

We have chosen Neal Auction House to hold this auction because they have always been honest, helpful and accurate in their transactions with us over the last 15 years. We assure you that all purchases made by you at the sale will be delivered to you promptly, professionally, and at the lowest possible price. Also as a bonus please note that most of these pieces have been framed in elegant gold leaf moldings to full museum specifications.

Please let us know if you would like more information or would like to be sent a complimentary auction catalog.

Thursday, November 5, 2009

The San Francisco Fall Antiques Show

The Arader Galleries team, from left: Tim Hamilton, Stephanie Waskins and Nicole Lopez

Below: Photographs of the Arader Galleries booth:



Object from Egyptomania exhibition

Andreas Cellarius celestials from the Arader Galleries collection on display in installation by Sutro Architects

The oldest continuously run antique show on the west Coast, The San Francisco Fall Antique Show, was held in the Marina at the Fort Mason Center October 29-November 1st. Arader Galleries San Francisco was pleased to participate in the show and was honored to be able to exhibit amongst the world’s premier antique dealers. Along with about 70 exhibitors, Arader Galleries debuted its impressive collection of maps, natural history and botanical engravings and lithographs from the 16th – 19th centuries, iconic images of California, the Pacific Islands and Asia as well as beautiful antique furniture, globes and more. On exhibition from Arader Galleries were some of the world’s most well renowned naturalists, cartographers and artist’s works, including John James Audubon, Dr. John Robert Thornton, Maria Sibylla Merian, Andreas Cellarius and Alexis-Hubert Jalliot.

The San Francisco Fall Antiques Show is the major fundraising event for Enterprise for High School Students, a non-profit job referral and career development agency in San Francisco. The theme of the show this year was Egyptomania: Imitation as Timeless Flattery and the lecture series for the show focused on cultural and historical artifacts and their relation to the ancient Egypt, as well as present day fascination with the culture and preservation of Egyptian life. In keeping with this theme, Arader Galleries displayed its own collection of Egyptian maps by Abraham Ortelius as well as mezzotints, engravings and lithographs of Egyptian landscape views, architecture, iconic imagery, animals and more. Arader Gallery was proud to be apart of the San Francisco Fall Antique Show and thankful for the opportunity to share and exhibit our vast collection of antiques.

Monday, October 12, 2009

Audubon’s Illustration of the Endangered California Condor

John James Audubon (1785-1851)
Plate 426 - California Vulture (California Condor) from The Birds of America

Of the three species of Vulture which inhabit the southern parts of North America, this is so much superior in size to the rest that it bears to them the same proportion as a Golden Eagle to a Goshawk. It inhabits the valleys and plains of the western slope of the continent, and has not been observed eastward of the Rocky Mountains. John James Audubon

John James Audubon is without rival as the most celebrated American Natural History artist. Audubon devoted his life to realizing his dream of identifying and depicting the birds of North America, and his work has had profound cultural and historical significance. In the second decade of the 19th century, he set out to travel throughout the wilderness of the United States, drawing every notable species of native bird. His remarkable ambition and artistic talent culminated in the publication of the monumental Birds of America betweem 1827 and 1838, a series of 435 aquatints that have only grown in fame since the time of their first appearance. This work established Audubon as an early American artist who could attract European attention, and for many, he personified New World culture and its emerging independent existence.

This enormous bird, now endangered, was widespread in Audubon’s time, although he never actually visited the Pacific slope where it was found. His friend, Dr. Townsend, sent him the following account, “The Californian Vulture...is most plentiful in spring at which season it feeds upon the dead salmon that are thrown upon the shore [of the Columbia River] in great numbers...The Californian vulture cannot, however, be called a plentiful species as even in the situations mentioned it is rare to see more than two or three at a time and these so shy as not to allow an approach to within a hundred yards unless by stratagem.”

One of the world’s rarest and most imperiled birds, the California Condor was rescued from the brink of extinction by captive breeding and release. The California Condor was once found throughout the Southwestern U.S. into Mexico (as well as pockets in New York and Florida), by the early 1900s they were largely confined to the rugged mountains and foothills of Central and Southern California, where they remained until 1987. In that year, the last free-flying wild bird was captured and integrated into an existing captive breeding program. (source: The Audubon Society)

From 1987 to 1992, no California Condors flew free in the California skies. In 1992 captive-bred condors were released into the wild at Hopper Mountain National Wildlife Refuge north of Ventura, California, with additional captive-reared birds added to the flock each year thereafter. Today, the condor remains imperiled, with just 279 condors living, including 70 wild birds in California.

Audubon's hand-colored aquantint of the California Vulture/Condor is currently on display at Arader Galleries San Francisco location at 435 Jackson Street, and is available for purchase. For more information, please call 415.788.5115.

Wednesday, June 17, 2009

Arader Galleries at Audubon Richardson Bay Center and Sanctuary





Arader Galleries would like to thank would like to thank the Richardson Bay Audubon Center and Sanctuary, along with all attendees of the Audubon exhibition for making this event a success. A spectacular collection of hand-colored engravings from John James Audubon's Birds of America was on display at the Lyford House, a historic landmark on the edge of the San Francisco Bay, throughout this past weekend. The Lyford House, one of the oldest houses surviving from the ranching era in Marin County, was the perfect setting for extraordinary collection of Audubon engravings. We were happy to see the enthusiastic reactions to the collection of Audubon as well as artwork by the naturalists Mark Catesby (1682-1749) and John Gould (1804-1881) also on display.


If you would like to inquire about any of the artwork on display, please call contact Arader Galleries at 415.788.5115.


For more information about the Richardson Bay Center and Sanctuary, visit www.tiburon.org.


Friday, June 5, 2009

Special Audubon Exhibition at the Lyford House: June 13th & 14th

John James Audubon (1785-1851)
Plate 161 - Hooping Crane (Sandhill Crane)

Lyford House at Richardson Bay, Tiburon

The Richardson Bay Audubon Center & Sanctuary and Arader Galleries welcome you to attend a special exhibition of works by John James Audubon at the Lyford House in Tiburon. Arader Galleries’ spectacular collection of original engravings from John James Audubon’s Birds of America (1827-1838) will be on display in this historic landmark on the edge of San Francisco Bay.

This special collection will be on view Saturday, June 13th and Sunday, June 14th from 11 a.m. – 3 p.m.

Arader Galleries will donate 20% of all proceeds directly to The Richardson Bay Audubon Center & Sanctuary.

Please visit www.aradersf.com or call 415-788-5115 for more information. We hope to see you there!



Saturday, February 7, 2009

Calling All Audubon Aficionados

Hooping Crane by John James Audubon

For those of you already familiar with Arader Galleries, John James Audubon needs no introduction. But for those not entirely acquainted with the greatest bird illustrator of all time, the current issue of Art and Antiques Magazine features on article on the notorious artist titled: Call of the Wild: Documenting America’s Birds was the Lifetime Obsession of John James Audubon.

The article begins by tracing Audubon’s extraordinary trials and tribulations. Beginning with his financial struggles and his inability to secure a publisher for The Birds of America, the article underscores Audubon’s commitment of staying true to his goal. Indeed, Audubon persevered, finding a different reception abroad. Eventually, the English engravers Robert Havell Sr. and Robert Havell Jr. agreed to publish the drawings, and The Birds of America was released to subscribers from 1827 to 1838. Ultimately, The Birds of America comprised of 435 color plates, published in the massive double elephant folio format. Yet the article mainly aims to present Audubon aficionados to an exhibit and book that reveal new research regarding what motivated this extraordinary individual.

The article highlights New York Historical Society’s exhibit, Some Things Old, Some Things Borrowed, But Most Things New, which traces Audubon’s ingenuity with respect to his predecessors and contemporaries. The book, Audubon: Early Drawings (published in September of 2008 by Harvard University Press) features Audubon’s work until 1821, illustrating how Audubon’s skill developed overtime. Lastly, but certainly not least, the article quotes W. Graham Arader III himself on what makes Audubon’s birds so iconic.

The article nicely traces the production history of The Birds of America and introduces new developments about what inspired this infamous artist. For anyone who appreciates the majesty of Audubon’s Birds of America we invite you to stop by Arader Galleries to view our exceptional collection of Audubon’s hand-colored aquatint engravings from Birds of America. Also, should you find yourself in New York City from February 13 to April 5 we strongly encourage you to catch the Audubon exhibit at the New York Historical Society.

We also have an excellent selection of Audubon's hand-colored engravings available for purchase at Arader Galleries. Please visit www.aradersf.com or call 415-788-5115 for more information.



Wednesday, October 8, 2008

John Gould Artist Proofs






John Gould (1804-1881)
Artist proofs for The Birds of Europe
"Spoonbill" (top image)
"Marsh Sandpiper" (center image)
“Wood Sandpiper, Green Sandpiper” (bottom image)
London: 1832-37

Lithographs with hand-written notations


John Gould was without question the most prolific natural history artist of the 19th century, and the only one to rival John James Audubon in ambition and quality. The 19th century was a time of intense fascination with discoveries in natural history, especially regarding knowledge of the wildlife of exotic lands. Gould shared the romantic enthusiasm of his time for such subjects, as well as the popular impulse to catalogue exotic wildlife. He combined his passion for natural history with outstanding scientific, artistic, and entrepreneurial talents. Drawing on these abilities, he embarked on a series of projects that would eventually make him the leading publisher of ornithological illustrations in Victorian Britain. Gould’s unparalleled career spanned five decades, and he produced a monumental series of books of birds throughout the world.

From the time he took up taxidermy in his early teens, Gould was devoted to recording bird life, either as he observed it personally or as it was reported to him by other ornithologists. He procured the scientific information through extensive correspondence, travel, and field research. The preparatory drawings that he produced were passed on for completion to skilled illustrators, most notably his wife, Elizabeth, and Edward Lear. The plates which resulted from such partnerships were a splendid fusion of art and science, with a scope than remains
unsurpassed. Stunning and at the same time highly accurate, Gould’s illustrations linked beauty to science, and science to beauty, in and an unprecedented manner.

One of the most accomplished and engaging natural history works of the 19th century, The Birds of Europe was also the first of Gould’s works to feature plates by Edward Lear. A total of sixty-eight images bear Lear’s name, and they are among the most remarkable bird drawings ever made. Lear endowed his illustrations with some measure of his own whimsy and intelligence, and his style is at once fluidly spontaneous and realistically precise. In this way, the images of The Birds of Europe are amazingly distinctive, while also highly realistic.

Gould undertook this work partly in an effort to redress the imbalance between the study of local and foreign ornithology. In his preface he stated his mission: “the Birds of Europe, in which we are, or ought to be, most
interested, have not received that degree of attention which they naturally demand. The present work has been undertaken to supply that deficiency.” Gould portrayed birds native to Europe in a manner that had only been thought appropriate for the colorful species of distant places. In this way he managed to draw much popular interest back to native birds, which were suddenly considered equally beautiful to exotic species. These proofs, which have notations by the Goulds, were part of the the final preparation stages for this publication.

These artist proofs (show above and at www.aradersf.com) are currently available for purchase at Arader Galleries. For more information, please call 415.788.5115.

Tuesday, July 24, 2007

John James Audubon: Drawn from Nature on KQED Wednesday night

John James Audubon: Drawn from Nature (#2004) Duration: 56:16 CC Stereo TVPG
A profile of a man who is synonymous with the American wilderness and conservation movement. Audubon was self-taught and self-made, the illegitimate son of a French sea captain and Haitian servant girl. From the Caribbean and the French countryside, he eventually settled in the American south at age 19 and, after failed business efforts and bankruptcy, pursued his true passion - finding, shooting and drawing birds, and ultimately realizing his dream of publishing "The Birds of America," the monumental collection of 435 life-size prints.

KQED Channel 9
Wed, Jul 25, 2007 -- 10:00 pm

For more information and other show times visit http://www.kqed.org/programs/tv/program-landing.jsp?progID=136