From Sea to Shining Sea: Karl Bodmer's American Expedition

Embouchure de Fox-River
23 ¼ x 17 ½

Karl Bodmer's is known for his magnificent series of ethnographic accounts of Plains Indian culture during the time of 19^th century western expansion. Bodmer was an unassuming Swiss painter when he was chosen by Prince Maximilian of Prussia to accompany his voyage to America, in order to document in pictorial terms his expedition. With the rest of Maximilian’s company, the two traveled among the Plains Indians from 1832 to 1834, a time when the Plains and the Rockies were still virtually unknown. The Bodmer/Maximilian collaboration produced a record of their expedition that is incontestably the finest early graphic study of the Plains tribes. Together the documented writing of Maximilian’s travels coupled with the iconic scenes of the West produced the seminal publication Travels in the Interior of North America, 1832-1843. 

Though Bodmer is most noted for his ethnographic drawing and paintings of the Plains Indians but his scenes of the North American views captured the mystique and majesty of the vast and diverse American  landscape. Maximilian and Bodmer journeyed from St. Louis up the Missouri River on the American Fur Company steamboat “Yellowstone,” stopping at a series of forts built by the Fur Company and meeting their first Indians at Bellevue. The travelers continued  to Fort Union, Fort Clark, and Fort Mackenzie, which proved to be the western most point of their journey. After living among and studying the Blackfeet tribe for several weeks, Maximilian decided that it was too dangerous to continue, so the travelers returned southward, reaching St. Louis in May 1834.

 Forest Scene of the Lehigh

23 ½" x 17 ½"

Cleveland Lighthouse
17 ½" x 12"

Once the journey was over, Bodmer spent four years in Paris supervising the production of the aquatints made from his drawings.These spectacular and atmospheric images are important and beautiful records of the landscape of the American West as it appeared when Bodmer saw it, just before westward expansion and industrialization took hold and began the indelible transformation of the frontier.

Junction of the Yellowstone River with the Missouri
24" x18"

A Selection of Bodmer's North American Views and Ethnographic works are available for purchase at Arader Galleries 432 Jackson St. San Francisco, CA 94111 
Please call 415-788-5115 with any questions

W.H. Pyne's History of Royal Residencies: 100 Fantasticly Designed Palace Interiors

William Henry Pyne (1769-1843)

Ante Chamber, Carlton House

From: The History of Royal Residences, 1819

Hand-colored aquatint engraving

11"x13"

In the early nineteenth century English interior decorative taste was heavily influenced by revival architecture and design motifs from previous centuries past. This trend of appropriating old world motifs and crafting pastiche furnishings borrowed from ancient Greece and renaissance Italy. Neoclassicism better known as England's Regency Era (1783-1837) was influenced by King George IV. Order and symmetry were two key factors in Regency aesthetic achievement, as showcased in W.H Pyne's publication The History of Royal Residencies, 1819.

William Henry Pyne (1769-1843) was a British painter, illustrator, cartoonist and writer. He was the son of textile workers, a leather seller and a weaver, but Pyne had aspirations of pursuing classic artistic endeavors. Pyne trained at the academy of Henry Pars in London and first exhibited at the Royal Academy in 1790.

Pyne's grand undertaking, The History of Royal Residences of Windsor Castle, St. James Palace, Carleton House, Kensington Palace, Hampton Court, Buckingham House and Frogmore...featured 100 commissioned hand painted aquatints of Royal interior and exterior architectural and interior design. These spectacular interior and architectural views displayed the detailed and extravagant decor of Royal peoples from iconic English palaces and landmarks.                           

W. H. Pyne

Presence Chamber, Kensington Palace

From: The History of Royal Residences, 1819

Hand-colored aquatint engraving

11"x13"

Though the publication slowly gained popularity and interest, the cost of self publishing such a extensive and artistically sophisticated book placed Pyne in financial ruin for the latter part of his life.

However, Pyne's work continues to be historically significant for documenting architectural history; such as Windsor Castle before architect Jeffrey Wyatville’s extensive alterations were made in 1824. As well as featuring St. James’s Palace,  and Carlton House; interiors created for the Prince Regent by Holland with Wyatt and Nash as architects. The History of Royal Residencies... also showcases Kensington Palace, Hampton Court, Buckingham House and Frogmore as remodeled by architect James Wyatt.

W. H. Pyne

Queen’s Audience Chamber, Windsor Castle

From: The History of Royal Residences, 1819

Hand-colored aquatint engraving

11"x13"

W. H. Pyne

King’s Writing Closet, Hampton Court

From: The History of Royal Residences, 1819

Hand-colored aquatint engraving

11"x13"

Pieces from this extravagant series of detailed Royal English households are available for purchase at Arader Galleries, 432 Jackson Street, San Francisco. Please call 415-788-5115 with any questions.